‘Bongo Fury’: tourism, music and cultural economy at Byron Bay, Australia
Identifieur interne : 000815 ( Main/Exploration ); précédent : 000814; suivant : 000816‘Bongo Fury’: tourism, music and cultural economy at Byron Bay, Australia
Auteurs : Chris Gibson [Australie] ; John Connell [Australie]Source :
- Tijdschrift voor economische en sociale geografie [ 0040-747X ] ; 2003-05.
Descripteurs français
- Wicri :
English descriptors
- KwdEn :
- Aboriginal, Aboriginal people, Aboriginality, Aquarius festival, Artefact, Backpacker, Backpacker hostels, Backpacker subcultures, Backpacker tourism, British geographers, Capital cities, Centre, Coast region, Commodity production, Connell, Connell gibson, Cultural economies, Cultural economy, Cultural geography, Cultural industries, Cultural production, Cultural products, Dance music, Dance parties, Didge, Didjeridu, Doof, Economic development, Economic geography, Feld, Geographer, Geography, Infrastructure, Knag, Lifestyle, Liner notes, Lismore, Local artists, Local music production, Local musicians, Music industry, Naked didge, Northern rivers, Northern territory, Popular music, Rainbow serpent, Regional identity, Roots festival, Royal dutch, Society knag, Society knag chris gibson john connell, Sonic tourism, Subcultural, Subculture, Sydney, Symbolic dimensions, Techno music, Tourism, Tourism research, Tourist destination, Tourist experience, Traveller, Venue, Waldren macleod, World music.
- Teeft :
- Aboriginal, Aboriginal people, Aboriginality, Aquarius festival, Artefact, Backpacker, Backpacker hostels, Backpacker subcultures, Backpacker tourism, British geographers, Capital cities, Centre, Coast region, Commodity production, Connell, Connell gibson, Cultural economies, Cultural economy, Cultural geography, Cultural industries, Cultural production, Cultural products, Dance music, Dance parties, Didge, Didjeridu, Doof, Economic development, Economic geography, Feld, Geographer, Geography, Infrastructure, Knag, Lifestyle, Liner notes, Lismore, Local artists, Local music production, Local musicians, Music industry, Naked didge, Northern rivers, Northern territory, Popular music, Rainbow serpent, Regional identity, Roots festival, Royal dutch, Society knag, Society knag chris gibson john connell, Sonic tourism, Subcultural, Subculture, Sydney, Symbolic dimensions, Techno music, Tourism, Tourism research, Tourist destination, Tourist experience, Traveller, Venue, Waldren macleod, World music.
Abstract
While tourism has been somewhat neglected in literature on the ‘cultural economy’, it remains an important influence on cultural production, particularly within a global matrix of youth travel. A distinct cultural economy has emerged at Byron Bay in Far North Coast, New South Wales, Australia, which builds on connections between tourism and the production and marketing of music. Counter‐urban migration and tourism have contributed to transformations of regional identity, as the Far North Coast is increasingly perceived as an ‘alternative’ or ‘lifestyle’ region, attracting more overseas visitors than any other non‐metropolitan area and transforming Byron Bay, a small ex‐whaling town, into a unique site of backpacker subcultures. A crucial element of tourist consumption is popular music, produced specifically for youth markets, informed and influenced by the attitudes and style of backpacker cultures. These themes come together in the marketing and consumption of ‘world music’ and its artefacts to ‘neotribal’ subcultures. This paper discusses the economic impacts and cultural discourse of these trends, emphasising the role of a politics of representation within economic and social geography.
Url:
DOI: 10.1111/1467-9663.00247
Affiliations:
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A distinct cultural economy has emerged at Byron Bay in Far North Coast, New South Wales, Australia, which builds on connections between tourism and the production and marketing of music. Counter‐urban migration and tourism have contributed to transformations of regional identity, as the Far North Coast is increasingly perceived as an ‘alternative’ or ‘lifestyle’ region, attracting more overseas visitors than any other non‐metropolitan area and transforming Byron Bay, a small ex‐whaling town, into a unique site of backpacker subcultures. A crucial element of tourist consumption is popular music, produced specifically for youth markets, informed and influenced by the attitudes and style of backpacker cultures. These themes come together in the marketing and consumption of ‘world music’ and its artefacts to ‘neotribal’ subcultures. 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